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William Holden Wednesday

Love is a Many-Splendored Thing (1955)


Today’s movie for William Holden Wednesday is one of the biggest commercial successes of Holden’s career, Love is a Many-Splendored Thing.  It’s a movie that’s problematic for modern audiences in many ways, most especially in the casting of Jennifer Jones in the role of a Eurasian woman.  The thought of casting anyone but an actor of Asian descent is bizarre to us now, and seeing Jones made up to be half Chinese is jarring.

Still, it’s a movie that had aspirations to open-mindedness, with its exploration of the cultural clashes between East and West and of the racial prejudices of the day.  Plus it’s a romantic and beautiful film, with its scenic vistas of Hong Kong and its gorgeous score by Alfred Newman.  The movie also features a memorable theme song which became a pop hit for various artists in the 1950s and ‘60s.  (Andy Williams’ version is my favorite.)


Love is a Many-Splendored Thing is the story of Han Suyin, a doctor working in a hospital in Hong Kong during the time of China’s communist revolution.  Though she has strong ties with the Chinese side of her heritage, she is also half English and is part of the European set in Hong Kong.

She meets American journalist Mark Elliott (Holden) at a cocktail party and they quickly make a connection.  In spite of her hesitation – she is a widow whose focus is now her work, he’s a married-but-separated man whose wife won’t give him a divorce – a passionate romance soon blossoms between the two.


Holden and Jones are at their most gorgeous in this movie, and in spite of the fact that they couldn’t stand each other in real life (about which more below) they have great chemistry.

That’s especially apparent during a scene on the beach, with the pair of them in bathing suits.  Holden lights Jones’s cigarette with his in the most blatant use of smoking as a substitute for onscreen consummation since Paul Henreid and Bette Davis blew smoke in each other’s faces in Now, Voyager.  See it below beginning at about 8:30.

It’s a little cheesy, sure, but also pretty steamy and suggestive.  With Picnic’’s release the same year, 1955 was a good year for Holden’s image as a sex symbol.  As I said a couple of weeks ago, one of the nicest things about Bill Holden is how often he was shirtless in his movies!



In the end pressure from both Suyin’s Chinese relatives and the prejudices of the European community in Hong Kong put a strain on the couple’s romance before the dangers of wartime tear them even further apart.  I won’t spoil the ending for anyone who hasn’t seen it, but I will say that I can never get through this movie without having a good weep.

But back to the gossip!  From Golden Boy: The Untold Story of William Holden by Bob Thomas:

The love scenes between Holden and Jennifer Jones evoked tears from millions of American women, but the film was a rare instance when he lacked affection for his leading lady.  Miss Jones complained about her makeup, her costumes, the dialogue; and when Holden failed to sympathize, she complained about him.  “I’m going to tell David about this,” she said repeatedly; and her husband, David O. Selznick, sent a stream of memos to Fox about her complaints.

The acrimony reached the point where the two stars were scarcely speaking to each other except during their love scenes. Holden decided to seek a truce, and he presented Miss Jones with a bouquet of white roses.  She threw them in his face.

Yikes!  I’ve read elsewhere that Jones was so disturbed by Holden’s reputation for romancing his leading ladies off-screen as well as on that she did things like chew garlic prior to scenes in which she and Holden had to kiss.  Can you believe it?  Given her obnoxious behavior, I’m not sure garlic breath was the most off-putting thing about Jennifer Jones.  She probably needn’t have worried about Bill throwing himself at her feet.  She was no Audrey Hepburn, let’s put it that way!


While Holden may not have fallen for his co-star in this movie, he did fall in love with Hong Kong and eventually owned an apartment there.  In 1960 he starred in another story of interracial romance also filmed in Hong Kong, The World of Suzie Wong, and that time he had an Asian co-star in the beautiful Nancy Kwan.

See you next Wednesday for more William Holden!


8 thoughts on “William Holden Wednesday

  1. I am 73 years old and have had a crush on William Holden since I was in high school in 1955. No, I lie…it’s not a crush…I’ve been madly in love with this sexy man forever. If he was alive today, my husband said he would allow me a free pass with Holden..once!!

  2. Thoroughly enjoyed the above article and comments. However, as well as being a Wm Holden fan, I was a Jennifer Jones fan. I don’t know why you chose to draw a comparison between her and Audrey Hepburn. In my imagination cannot conceive of them being considered for the same role.

  3. I’m 67, so I was eager to see this 1955 movie for the first time since my childhood. Possibly the anx between the two leading actors or maybe the cigarettes bothered me, but I couldn’t find anything plausible in a doctor being so naive as to be attracted by a roving reporter (okay; journalist). There was no chemistry, so I looked for reason, and couldn’t find that either. I was surprised at my own 4 out of 10 film evaluation. (I have loved the song all my life.)

    Interesting is the fatalist finale, which reminded me very much of The Bridges at Toko-Ri, at theatres the preceding year. In both the story is let to flow to whatever ending fate might most likely decree.

  4. WELL NOW, I have studied acting. Watched this film for the first time last night AND AS SOON AS their characters met at the cocktail party, for me, there was a VISIBLE AND EMOTIONAL detachment between the characters. THERE WAS NO CHEMISTRY BETWEEN THEM. I thought, NO! I must be wrong, ergo, I am on this site wondering if my theatrical studies lead me astray. I WAS RIGHT. I just KNEW something was missing in this film, as beautifully constructed as it is, with its panoramic vistas of HONG KONG. It was visually stunning, the costumes as well, but Holden is so wooden in his wooing of Jones’s character and Ms. Jones was just phoning in her lines. THANK YOU TO ALL MY ACTING TEACHERS. Your lessons were learned and not in vain. There was just no truth to either one of their performances and they were totally unbelievable as lovers, even though I adore Mr. Holden, the director should have done something to garner more believable performances out of each of his actors. There is QUITE a difference in Ms. Jones ;performance in SINCE YOU WENT AWAY with her then husband, Robert Walker. You could just feel the love between them in that film and it was palpable.

  5. I agree with others who noted there was zero chemistry between Holden and Jones. Holden seemed to put more of an effort into his part than did Jones, who was completely wooden.

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