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Happy New Year!

Has it really been almost a year since I posted here?  I have such a hard time sticking with projects like this one.  I’ve been watching and loving classic movies for the past 12 months, of course, but the time and motivation to write about them have been hard to come by.

But it’s New Year’s resolution time and besides that I’m on a bit of a movie-watching spree right now, so it seems as good a time as any to make another attempt to keep the blog alive.  After all, I need somewhere to write about all the wonderful (and not-so-wonderful) things I’ve seen.

Not to mention somewhere to gush without shame about my newest movie star crush, Gary Cooper.  I’m completely obsessed with tracking down as many of his movies as I can find and watching them as soon as possible.  In the past couple of weeks I’ve seen: Morocco, Bluebeard’s Eighth Wife, Mr. Deeds Goes to Town, Meet John Doe, Ball of Fire and Casanova Brown, all for the first time.

My DVR contains Sergeant York and The Pride of the Yankees, and Wedding Night is winging its way to me from Netflix as I type this.  I’ve also scoured the TCM listings for the next couple of months and have Along Came Jones, Friendly Persuasion, The Fountainhead, For Whom the Bell Tolls and The Cowboy and the Lady to look forward to.

See what I mean?  When I get interested in something, I really get interested! I’d first seen and enjoyed High Noon and Love in the Afternoon years ago, because they co-starred Grace Kelly and Audrey Hepburn respectively, but neither of those movies made in the 1950s gave me a real clue as to how wonderful (and wonderful looking) Cooper had been in his younger days.

Then sometime last year I watched 1939’s Beau Geste on TCM and realized just what I’d been missing. The man was beautiful. Tall, gorgeous and very sexy. Thanks to the Christmas holidays I finally had time to immerse myself in some of the movies on my to-watch list and it was a lovely experience.  Not only was Gary Cooper easy on the eyes,  he was also an extremely charismatic, subtle, talented actor.  Stay tuned for lots of Coop chat in the coming days and weeks!

I also hope to write some more about Joel McCrea, having recently seen him in two fabulous movies (The Palm Beach Story and Foreign Correspondent) and one strange, disjointed film (Preston Sturges’s The Great Moment).  I can’t wait to write about those three, especially The Palm Beach Story, which is one of the best movies I’ve seen in ages.  It’s absolutely hilarious from start to finish.  Plus McCrea once again demonstrates the uber-hotness I first discovered in The More the Merrier.

Not that it’s all about the men!  I’ve also been delving into Claudette Colbert’s work quite a bit in recent weeks and having lots of fun getting to know her better.  The Gilded Lily, part of the newly released Claudette Colbert and Fred MacMurray Romantic Comedy Collection, was an especially entertaining trifle.  Colbert and MacMurray had great chemistry and were always fun to watch together.

So that’s some of what’s coming up here very soon.  I have no idea if anyone is even reading this blog anymore, it’s been so long, but I’m excited to give it another try.  There are few things I enjoy as much as rambling on and on about classic movies and movie stars.


3 thoughts on “Happy New Year!

  1. Great to see you back. I can’t hear what you have to say about your thoughts on these films/stars. Have you seen Claudette Colbert in ‘Midnight’? It’s hilarious and a lot of fun–especially if you liked ‘The Palm Beach Story’. She’s also a wonderful dramatic actress like in ‘Since You Went Away’ and ‘So Proudly We Hail’.

  2. Thank you! It’s good to be back — I have lots I want to talk about.

    I’ve seen “Midnight,” but it’s been a long time. Might be about time to see it again. I’ll have to add the dramatic movies you mentioned to my to-watch list as well. 🙂

  3. Alongside his wonderful “Mr Deeds Goes to Town,” the two other performances where Gary Cooper’s gorgeous masculinity is at its height are in the sexy comedy “Design for Living,” from 1933, but even moreso in the romantic fantasy “Peter Ibbetson,” from 1935; where his aura, his persona and his youthful brilliance shine through like in no other picture. The scene where he finds the tree and says one word, “Hello,” is magnificent, devastating, beautiful, heartrending and one of my favourite moments in all of cinema.

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