Riviera Style: To Catch a Thief

Kimberly at the wonderful GlamAmor blog has published a fantastic post and accompanying video on the Edith Head designed resort wardrobe featured in Alfred Hitchcock’s To Catch a Thief.  If you love Grace Kelly’s cool, understated elegance in that film as much as I do, you’ll definitely want to check it out.

Wardrobe contributed so much to Hitchcock’s films and as Kimberly points out so well, Edith Head was integral in creating what we now think of as Hitchcock Style. Imagine Vertigo without Kim Novak’s severely chic gray suit, or Rear Window without Grace Kelly’s magnificent entrance in that black and white dress with the full tulle and chiffon skirt.  It can’t be done!  The best costume designers, like Mad Men’s brilliant Janie Bryant and of course Edith Head, are just as much storytellers as any writer or director.

If you want to learn more about Edith Head, I highly recommend checking out Edith Head: The Fifty Year Career of Hollywood’s Greatest Costume Designer by Jay Jorgensen.  It’s full of stunning illustrations and photos of Head’s most memorable work, including that she did with Alfred Hitchcock.

Cary Grant’s favorite leading ladies

Irene Dunne

Co-star in “The Awful Truth”, “Penny Serenade”, and “My Favorite Wife”

“I loved working with Cary – every minute of it.  Between takes he was so amusing with his cockney stories.  I was his best audience.  I laughed and laughed and laughed.  The more I laughed, the more he went on.”

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Katharine Hepburn

Co-star in “Sylvia Scarlett”, “Bringing Up Baby”, “Holiday”, and “The Philadelphia Story”

“We got on well, Cary and I.  It was fun to play with him, and I think he had a good time, too.  People liked us together, so we enjoyed it.”

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Ingrid Bergman

Co-star in “Notorious” and “Indiscreet”

When Hollywood shunned Ingrid Bergman for leaving her husband to marry Italian director Roberto Rossellini, Cary was one of the only stars who stayed in touch with her, stood by her side, and remained a friend.  When she returned to movies in the mid-1950s, he co-starred with her for the second time in “Indiscreet”.  “I was very fond of Ingrid,” Cary said.  “She was an amazing woman.  She was one of the world’s most talented women, completely secure and happy.”

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Rosalind Russell

Co-star in “His Girl Friday”.

  Cary introduced Russell to her husband, his friend Frederick Brisson, during the filming of “His Girl Friday” in 1941.  “Cary, you will never know the great joy you have helped bring us both and how much we shall always love you for it,” Rosalind wrote Cary.  “You must know, too, that the wedding would not be complete without you.  You who brought us together.  All love to you, Cary, darling.”  Cary was best man at their wedding.  Russell and Brisson were happily married until her death in 1976.

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Here are Cary and Rosalind at the 1942 Academy Awards.  Wartime, so no tuxedos and evening gowns here.  Looks like they had a fine time anyway.

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Grace Kelly

Co-star in “To Catch a Thief”

Cary absolutely adored Grace Kelly and was a devoted friend for the rest of her life.  “Grace had a kind of serenity, a calmness, that I hadn’t arrived at at that point in my life – and perhaps never will, for all I know.  She was so relaxed in front of the camera that she made it look simple.”  Cary admired women who were elegant, ladylike and refined.  Leslie Caron once said “Cary liked women who had a distinction and a certain education about them.  That’s what he liked about Grace Kelly.”

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 Deborah Kerr

Co-star in “Dream Wife”, “An Affair to Remember”, and “The Grass is Greener”

“His elegance, his wit, his true professionalism were outstanding, and I learned so much from just watching him work,” Kerr said.  “As a person, apart from his talent, he was warm and affectionate and a joy to have as a friend.  He lived simply and was not tremendously social – a very private person.  He was also a keen and shrewd businessman; in fact there was no end to his talents.  I treasure my memories of him.”

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Audrey Hepburn

Co-star in “Charade”

“I think he understood me better than I did myself,” said Audrey.  “He was observant and had a penetrating knowledge of people.  He would talk often about relaxing and getting rid of one’s fears, which I think he found a way to do.  But he never preached.  If he helped me, he did it without my knowing, and with a gentleness which made me lose my sense of being intimidated.  I had this great affection for him because I knew he understood me.  It was an unspoken friendship, which was wonderful.  He would open up his arms wide when he saw you, and hug you, and smile, and let you know how he felt about you.”

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